Tuesday 2 October 2012

Musicians! Save money on your photo shoots!

Photo shoots, taking pictures, mug shots whatever you want to call it we have to do them at some stage or another.

Like it or not, you will have to have your picture taken and used in promoting yourself or your group or both.

The importance of adding photos to your promotional material, press kits, websites, job advertisements etc cannot be overstated.

Many musicians hate the idea of having their picture taken or having to dress up for a photo shoot. I sympathize as I used to be in that category. But over the past few years I have learnt that it is something that has to be done and to just get on with it, try to see the benefits of it, and enjoy it.

In saying that, today I am posting some tips on how to save some time, money, and stress when preparing, executing, and subsequently, publishing your Mona Lisas' in the quest for a gig.

First things first:

Ask yourself this question:

1. What are the clients requirements? If you don't know the answer ask the client directly, ask your agent, ask people that have performed there before or those musicians that have done that kind of gig before. Become the Sherlock Holmes of discovering clients' wants and needs.
 I have promoted myself and others for an incredibly diverse range of clients with varying tastes and requirements. Some of the clients were rock club owners, others were wedding planners, some were five star lobby lounge and resort entertainment managers.

All of these clients require musician(s) to look a particular way. If you can tailor your look to the clients conceptions of how they want you or expect you to look then you will have won a large part of the battle to securing a gig. As many of us know, clients in a lot of clubs and hotels listen with their eyes!

Determining what a client wants from you or how they expect you to look can prevent you from wasting precious time and resources.

Here is a small selection of the different looks I have used in the past few years to appease clients and audiences.

  • In 2000 I did some classical guitar concerts throughout New Zealand which required me to wear a tuxedo for the promotional shots.
    Classical guitar concert in Rotorua, New Zealand
  • In 2005 I worked for a beautiful hotel in Jakarta that expected the band to wear uniforms i.e. matching colors and styles.
This photo is an example of individual shots pieced together using photoshop. See the bottom of the blog for examples of how many times this photo has been reincarnated!
  • Earlier this year I worked at a new Five-star resort in Bali where management was happy for us to wear singlets, shorts and jandals whilst performing!
Picture for a rock contract in Dubai, UAE
  • At the present time I am working in one of Japan's premiere hotels and I am expected to wear slacks, suits, or semi-formal to formal attire every night
  • Promotional picture for a Five Star hotel in Japan
2. Use available resources. I have participated in photo shoots that have had large budgets and tiny budgets. Most have fallen into the later category. If you are shooting with a meagre budget try to use resources that are around you. Borrow a camera, use a location that is free, ask a friend that is good with makeup to do your makeup.
I hear so many people complaining that they need this and that and its often not the case. Hollywood blockbuster movies with multi-million dollar promotional budgets have deluded them into thinking that they need special effects, dynamic lighting, and pyrotechnic displays to land a gig. This is not true.

3. KISS. Keep It Simple Stupid. Most clients do not need photos that have you skydiving off the Empire State building holding your guitar or pics of you drumming on Mt. Everest. They need simple shots that display the style of clothing and the 'look' or image that you would usually have on the stage. Unless you think you have a wonderful location that will enhance your appeal, keep the background simple too.

4. Group shots vs. Individual shots. If you are in a band and you need to do a photo shoot you have to consider whether or not to shoot as a group or as individuals , then use photoshop or similar software to piece all of the individual pictures of each member together. 

Let me discuss this in a little more detail addressing the pros and cons of each:

Group shot:

Pros: everyone is in one place and you can experiment with lots of different configurations, probably cheaper, less-time consuming, editing should be much easier

Cons: it can be hard to get everyone together at the same time, could be expensive to find the right location for a big group, if one person looks like a dork in all of the pictures it could be very difficult to fix.

The single biggest con in my mind of having a group shot is this:

A BAND MEMBER LEAVES!

When or if this happens it can render all of your pics useless. You may be able to photo shop someone else's head onto the leaving member's shoulders but this could be unethical if you haven't received the leaving member's permission to do so, it usually (but not always) ends up looking weird, and just isn't cool if you are trying to portray professionalism. 
I speak from experience when I say that I have been involved in a band that has been through this on several occasions, I have witnessed many other bands with whom I am friends with resort to the same methods and I simply don't think it works.

Individual shots:

Pros: Infinite 'juggle-ability' i.e. you can move members around, change colors, adjust and edit with much greater ease and effectiveness, you can use a generic background as a template should members decide to leave or if new members enter, members can do their photo shoot when they have time*.

*Tips: If you organise the photo shoot when you normally have a rehearsal you can kill two birds with one stone. Rehearse and do the photo shoot or at the very least you can ensure that everyone will be there for it.

Cons: more time-consuming, more costly, lots of editing involved

5. Don't rush out and spend $ on a fancy, hi-tech camera or video camera. Why? Because you probably can't use all of the features, there may be a long learning curve to master to fully utilise the hardware properly, or you may only use it once or twice a year. Those of us that have studied finance and accounting call this phenomenon 'over capitalisation'. 


And probably the most important thing to realize is that the best camera in the world can't perform miracles if the shots are at terrible angles, or if someone hasn't done their hair, or if the room is too dark. You may be well-served paying a professional for a few hours or getting a friend that has a decent camera to help you.

In closing:
  • Don't get too arty unless the client specifically wants something out of the ordinary
  • Try to set a budget and keep to it
  • Try to 'future-proof' your pictures
  • Get as many 'looks' done as your budget and time frame allows

Good luck with your shooting!

2 comments:

  1. Try connecting with local music photographers. I shoot big venues in the UK, and believe or not most of the guys and gals in the photo-pit are not exactly super rich mega-star photographers. I love shooting live music, but I also welcome the chance to shoot a band outside, in the street, develop my informal portrait skills. I could think of nothing better than shooting a band-practice. I'd have the chance to try out new ideas without a three song / no flash limit, you'd have the chance to look at photos and say Nah! or More of that please! Obvs I'm in a different bit of the world, but there will be 'togs near to wherever you are. Look at who shoots gigs and venues where you live. Like you, I don't like to work for free, but depending on the band, I can see it as an investment

    ReplyDelete
  2. Thanks for your comment Mike. It's a good idea to connect with locals for a number of reasons such as cost, logistics, and supporting the local economy. Interestingly enough, I have no problem working for free if the cause is right.

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